"The Canadian Lesley Telford starts this triple-bill with Everything Might Spill, giving extra meaning to the title with a tense and erratic choreography, startling and robotic. The piece is about the fragile balance and illusion of real stability (which is life, is it not?). …the shadows and the overall tone of the physical score were alive and moving. The body, captivated within the interior of a cylindrical form, connects to outside possibilities through imagined movement, projected by four slide projectors in a beautiful cinematic exercise which complements this turbulent kinetic flight."
*translated from Notodo.com/ David Cano, Teatro de Madrid, 21.03.2011