Ballet B.C.’s season opener No. 29 impresses with challenging works and new dancers | Georgia Straight, Vancouver’s News & Entertainment Weekly.
“The magic that Telford achieves with her 11 dancers is something akin to suspended time, like we enter “an instant”, then rewind, then freeze, then enter it again from a different perspective. Dancers hurtle backwards like they’re being pushed by some unseen force, then fall on the floor and lie still. New corps member Emily Chessa, in one intense scene, rushes toward something unseen then runs backward, again and again, drawn and repelled by powers we can’t fully understand. Telford pushes the dancers off axis, bends them over backwards, and sends them leaping in reverse. Amid them all wanders the always magnetic Rachel Meyer, sometimes stepping through their frozen, fallen bodies, as if she is somehow looking at what could happen or what could have happened. Heady stuff, yes, but strange, haunting, and thought-provoking, the mood helped, as ever, by James Proudfoot’s atmospheric lighting and shadows.”
by Janet Smith on November 7th, 2014 at 5:52 PM
Ballet BC’s No. 29 opens the 14/15 season with superb dancing | Vancouver Observer.
“Vancouver-born choreographer and dancer Lesley Telford’s An Instant is based on Wislawa Szymborska’s poem Could Have heard during the piece recited by Amos Ben Tal . The most modern aesthetic of the night, with close to the ground choreography, weight sharing duets, relaxed arms and hands and fall and recovery motion, the movement had a Pina Bausch-like aesthetic.
Beautifully costumed by Kate Burrows with gorgeous lighting by James Proudfoot, the dancers tell their stories of isolation with artistry. Rachel Meyer and Emily Chessa, in particular, use their bodies with abandon to share their inner voices. A fabulous end to the dance leaves the audience with a lovely parting memory."
by Andrea Rabinovitch
Ballet B.C. pushes to the breaking point with No. 29. Interview with Janet Smith / Georgia Straight