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Ballet B.C.’s season opener No. 29 impresses with challenging works and new dancers | Georgia Straight, Vancouver’s News & Entertainment Weekly.
“The magic that Telford achieves with her 11 dancers is something akin to suspended time, like we enter “an instant”, then rewind, then freeze, then enter it again from a different perspective. Dancers hurtle backwards like they’re being pushed by some unseen force, then fall on the floor and lie still. New corps member Emily Chessa, in one intense scene, rushes toward something unseen then runs backward, again and again, drawn and repelled by powers we can’t fully understand. Telford pushes the dancers off axis, bends them over backwards, and sends them leaping in reverse. Amid them all wanders the always magnetic Rachel Meyer, sometimes stepping through their frozen, fallen bodies, as if she is somehow looking at what could happen or what could have happened. Heady stuff, yes, but strange, haunting, and thought-provoking, the mood helped, as ever, by James Proudfoot’s atmospheric lighting and shadows.” by Janet Smith on November 7th, 2014 at 5:52 PM Comments are closed.
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